Dr. Edward Robinson he use the correct term prisoners of war n...
Our ancestors were NOT SLAVES, they were Prisoners of War. Dr. Edward Robinson explains the difference and reason you've been disconnected from your past.
Posted by Urban Intellectuals on Friday, January 22, 2016
Eux ils ont le Bloc Quebecois , nous on a le Black Quebecois pour nous tenir informer avec de la nouvelle qui nous concerne au Quebec !
lundi 25 janvier 2016
Dr. Edward Robinson he use the correct term prisoners of war n...
dimanche 24 janvier 2016
vendredi 22 janvier 2016
Le SPVM porte un coup dur aux gangs de rue
La police
de Montreal a frappé complètement dans le beurre en s’attaquant particulièrement
un gang de rue du nord-est de la ville, avant-hier. La rafle est le point
culminant du projet Accalmie, un plan pour freiner le regain de violence
observe chez les jeunes l’an dernier. Loin des projecteurs, l’offensive a mené
a près de 300 arrestations, plus de 3000 profilages raciales depuis octobre 2015,
selon les chiffres obtenues par les citoyens de l’arrondissements.
Étant résidants
du quartier, on peut facilement observer que les causes d’harcèlements raciales
dans le quartier St Michel a remonté en pique ! De plus, la gang 43 est en
train de prendre de l’expansion. Je m’explique, les policiers viennent d’envoyer
16 membres en prison, ce qui est assez pour prendre le contrôle d’un pavillon carcéral
et d’accélérer le recrutement, de légitimer ce gang auprès des groupes plus
criminalisés et leur permettre de fraterniser avec les autres criminels ! Évidement
ce jeu fait l’affaire des policiers qui ne veulent pas enrayer le phénomène des
gangs de rue, mais plutôt de le manager …
Il faut être
un peu naïf pour croire qu’une telle opération mettra un frein à la violence,
je m’en remets plutôt à la température glaciale … La preuve contre les accusés :
une centaine de carte de crédits frauduleuses et une mitraillette, oh mon Dieu !
Les cartels mexicains tassez-vous, vous avez de la compétition !
Naturellement
après avoir manqué sont coup, le SPVM prépare un autre Accalmie 2,
naturellement au frais des contribuables, et cette fois-ci, peut-être que les
policiers pourront aussi saisir un peu de marijuana en passant afin qu’ils la
fument et ouvrent enfin leur esprits … Il faudrait vraiment savoir combien
cette opération aura couté, surtout quand on va être pris avec un gang 43
beaucoup plus organisé, connecté et affluent, c’est sûr que les policiers de
Los Angeles auraient démantelé ce gang a coup d’offre d’emplois , d’activités
sportives merci beaucoup au SPVM !
lundi 23 novembre 2015
Problems and challenges persist for black Quebecers
On the eve of Black History Month, members of Montreal’s black community gathered at city hall last Friday to celebrate their many accomplishments. There were lawyers, academics, teachers, bartenders and people in show business. There was music, speeches and much pride as the community honoured 12 successful black citizens. Among the many guests was Kathleen Weil, Quebec’s minister of immigration, diversity and inclusion.
The previous two days, Weil had been in Quebec City chairing hearings on changes to the province’s immigration policy. But the narrative he heard regarding the state of the black community wasn’t particularly rosy.
Failure to master French and poor job prospects are driving many young black anglophones out of the province, while workplace discrimination is posing problems for French-speaking black immigrants who have come to Quebec to build a better life. Equal opportunity programs are needed to help reduce the unemployment rate among immigrants and visible minorities, the head of the Quebec Human Rights Commission said.
Discrimination in the workplace can be explained partly by “fear of the unknown” on the part of some businesspeople, the head of the province’s largest employer group said.
I Wore Blackface in Quebec and Everybody Loved It
Rather than throw up their dark foundation-stained hands while sheepishly saying “guilty!” Nydia’s piece sparked a series of articles from various publications criticizing her for bashing Quebec and calling all Quebecers racists. It’s important to point out that Nydia didn’t actually call all Quebecers racists. She did, however, point out a major problem in Quebec—one that very few people here seem interested in tackling. And that is the fact that most French Quebecers are totally okay with a white person slathering black makeup on their face and imitating a black person.
In her response to Nydia’s article, journalist Judith Lussier admitted having never heard of the term blackface before. She even provided her readers with a link to the Wikipedia page, assuming they would be just as clueless (if you’re from Quebec and still confused check it out here).The unfortunate truth is: She’s totally right, lots of Quebecers don’t know about blackface. Some say Quebec’s education system might be at fault. The province’s high school curriculum provides youth with very little information concerning the history of black people in Canada, and makes a very brief mention of black slaves’ presence in the country. This results in most Quebecers having the impression that slavery and racism in the nineteenth century was not a Canadian problem, but rather an American one. Of course Canada did have slaves (in fact the only known slave cemetery in Canada, unfortunately named “Nigger Rock,” is located an hour south of Montreal).
Using EDM as a racist deterent. {rant]
Joshua Carl 5:13 AM - 19 August, 2013
Ill preface this by saying Im an open format DJ, always have been.
one could easily attribute it to my ADD or playing from my gut (mood)
but something Ive noticed (and lets be real here, its NOTHING new) but now that this stuff
they are trying to pass off as Dance Music ( I Dare not tarnish the name of house by calling it such)... so for that sake of this post I'll refer to this current incarnation of uptempo electronic pop music like most... as "EDM"
which in itself presents its on rant, you know we LOVE EDM.... but you play some proper dance music and u get the stink puss...
which is no different than any other crossover music....
back to the point.
More and more I have Bars, not clubs, places that have no business trying to compete with proper dance room asking for ZERO hiphop...
and some arent even sugar coating it with a politcally correct cover up statement.
now, i suppose i could ball up my fist and go "go fuck your racist ass" and walk.
but being who I am, I try to convince them otherwise....
its a battle now, it was 10 years ago.... and obviously alot longer back than Ive been around.
But I try to explain that just switching the format 100% without doing any of the supporting measures for dance music is a bitch move.
IE trying to rip 4 hours of 128 bpm through 8" bar speakers with zero lights, and tiny subs that a pig getting violated everytime a chunky bassline romps through it.
I know Im not alone, and being white I think im expected to just side with them and be excited that in BARS im trying to sell 4 hours of music 25% of the crowd wants to hear.
you know, the whole night people are asking for even the most topical top 40 HipPop
and when you cant they lose their shit (Especially ladies)
alot of these places Im still at, years later even for some and the race card sort of disapears, and reappears occasional when the owner gets Barny Phife and wants the place to be whiter.
This past week I had a solid 50/50 crowd.
its colligiate, not music saavy, but they want me to spin NOTHING but EDM.
Im there because my predecessors yielded to the crowd too easy and too often.
At about 1230 Dropped down and played a Miley Redrum, That Selena Gomez Jump Smokers Remix and a few trappy remixes of Zedd, alesso & such...
the manager comes up... Josh... lets get away from the hiphop
(I saw it coming)
so I pulled up my library.
"which song? So I can flag it, so I dont play it again.... Becuase I havent touched my hiphop folder"
after peering at my history... well, you know this slow hiphop stuff.
"you know I cant be at a colligiate bar and NOT play the new Miley & Selena"
--Oh? well.... well get out of the stuff with the bass
one could easily attribute it to my ADD or playing from my gut (mood)
but something Ive noticed (and lets be real here, its NOTHING new) but now that this stuff
they are trying to pass off as Dance Music ( I Dare not tarnish the name of house by calling it such)... so for that sake of this post I'll refer to this current incarnation of uptempo electronic pop music like most... as "EDM"
which in itself presents its on rant, you know we LOVE EDM.... but you play some proper dance music and u get the stink puss...
which is no different than any other crossover music....
back to the point.
More and more I have Bars, not clubs, places that have no business trying to compete with proper dance room asking for ZERO hiphop...
and some arent even sugar coating it with a politcally correct cover up statement.
now, i suppose i could ball up my fist and go "go fuck your racist ass" and walk.
but being who I am, I try to convince them otherwise....
its a battle now, it was 10 years ago.... and obviously alot longer back than Ive been around.
But I try to explain that just switching the format 100% without doing any of the supporting measures for dance music is a bitch move.
IE trying to rip 4 hours of 128 bpm through 8" bar speakers with zero lights, and tiny subs that a pig getting violated everytime a chunky bassline romps through it.
I know Im not alone, and being white I think im expected to just side with them and be excited that in BARS im trying to sell 4 hours of music 25% of the crowd wants to hear.
you know, the whole night people are asking for even the most topical top 40 HipPop
and when you cant they lose their shit (Especially ladies)
alot of these places Im still at, years later even for some and the race card sort of disapears, and reappears occasional when the owner gets Barny Phife and wants the place to be whiter.
This past week I had a solid 50/50 crowd.
its colligiate, not music saavy, but they want me to spin NOTHING but EDM.
Im there because my predecessors yielded to the crowd too easy and too often.
At about 1230 Dropped down and played a Miley Redrum, That Selena Gomez Jump Smokers Remix and a few trappy remixes of Zedd, alesso & such...
the manager comes up... Josh... lets get away from the hiphop
(I saw it coming)
so I pulled up my library.
"which song? So I can flag it, so I dont play it again.... Becuase I havent touched my hiphop folder"
after peering at my history... well, you know this slow hiphop stuff.
"you know I cant be at a colligiate bar and NOT play the new Miley & Selena"
--Oh? well.... well get out of the stuff with the bass
EDM festivals fraught with white privilege
EDM festivals fraught with white privilege
Festival experience dampened by rampant cultural appropriation and racial bias
As an avid fan of house music and member of Binghamton University’s Hoop Troop, I’m almost the typical attendant of EDM festivals. However, my experience at this past summer’s Electric Forest Festival proved to me that so many white people just don’t get it. Because I am a person of color, what should have been an exhilarating adventure turned out to be a nightmare. I faced covert racism and microaggressions from pseudo-hippies that left me cynical about festival culture and colorblindness among the younger generation.
Festivals such as Coachella have already received backlash for the cultural appropriation of Native American headdresses; so much so that a plethora of festivals have banned the sporting of the war bonnets. Yet something that the media doesn’t address is the cultural appropriation of dreadlocks that is so apparent in EDM festival culture. The amount of white people with dreads at Electric Forest was astounding. I was prepared to be one of the few people of color at the festival, but I wasn’t prepared to see people steal my culture.
Many festival attendees fail to realize the cultural significance of hair as a part of black identity, especially dreadlocks. Historically, straightening black hair was a form of survival, in hopes of gaining access to opportunities and resources that African-Americans were denied. Wearing afro-textured in its natural state is a declaration against the European standard of beauty.
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